"ORIGINAL_XDG_CURRENT_DESKTOP": "undefined", "SSH_AUTH_SOCK": "/private/tmp//Listeners", "PATH": "/Users/foo/.pyenv/shims:/Users/foo/.cargo/bin:/usr/local/bin:/usr/local/sbin:/Users/foo/bin:/Users/foo/bin:/usr/local/bin:/usr/bin:/bin:/usr/sbin:/sbin:/opt/X11/bin", "localCompilerToolchainDir": "/Users/foo/.particle/toolchains" "value": "/Users/foo/.pyenv/shims:/Users/foo/.cargo/bin:/usr/local/bin:/usr/local/sbin:/Users/foo/bin:/Users/foo/bin:/usr/local/bin:/usr/bin:/bin:/usr/sbin:/sbin:/opt/X11/bin" "binpath": "/Users/foo/.vscode/extensions/particle.particle-vscode-core-1.12.5/src/cli/bin/darwin/amd64/particle", "enableVerboseLocalCompilerLogging": false, "compileButtonAction": "localAppDeviceOS", "location": "/Users/foo/Documents/proj/display_argon", Thanks for any help! I really want to get local builds and debugging working with Workbench. I’ll paste the (edited) Audit Environment results below. I’m probably missing some key step to my Workbench install process. My project.properties looks like this: name=web_display_photon02 So apparently installed libraries are not found by the local build. ino file, make will complain about a different missing library (eg Adafruit_GFX_RK). If I reorder the include order of libraries in my. JsonParserGeneratorRK was previously installed using the “Install library” command. The terminal process "/bin/bash '-c', 'make -f '/Users/foo/.particle/toolchains/buildscripts/1.9.2/Makefile' compile-user -s'" terminated with exit code: 2. /proj/proj/web_display_photon02/web-display-photon02.ino:2:35: fatal error: JsonParserGeneratorRK.h: No such file or directory > Executing task: make -f '/Users/foo/.particle/toolchains/buildscripts/1.9.2/Makefile' compile-user -s <Ĭreating /./proj/web_display_photon02/target/1.5.2/argon/platform_user_ram.ld. Attempting to compile locally from Workbench results in this kind of error:.and verify the code works the same as if it were flashed OTA from the WebIDE I’m subsequently able to particle flash -usb. In a Terminal, running the CLI command particle compile argon works fine.“cloud compile” works fine, as expected.This install appears to complete succesfully install all of the libraries required by the project using “Install Library”.modify the project.properties file to include a name.download files from a working Argon project from the WebIDE.follow the installation instructions for Workbench (on both platform).I’ve tried installing Workbench on both OSX and Ubuntu and gotten similar results, so I thought I’d report them here and ask for help.
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Resource: Take your Instagram Stories to the next level with these free templates. If you don’t use this ratio, the Story might show with strange cropping, zooming, or leave large sections of the screen blank.Uploading an image with a smaller pixel size (but the same aspect ratio) means the Story will buffer quickly.Instagram Stories image size: 1080 x 1920 pixels Tips: To future-proof your Instagram feed and avoid pixelation, upload images that are as large as possible.Remember that Instagram stores versions of these thumbnails that are as large as 1080 x 1080.Recommended upload size: 1080 pixels wide.Resource: Learn how to edit Instagram photos like a pro. 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Thousands of players across the globe and industry professionals from automotive engineers to economics professors have praised the game’s intricate details. It is a complex, realistic, in-depth management sim that will take several hours to grasp and hundreds of hours to master. Unlike tycoon games, GearCity has not been simplified. GearCity is a realistic historically focused economic simulation of the global automobile industry. What made business leaders such as Henry Ford, William Durant, and Karl Benz so great? Could you ever accomplish what they did? See instructions at: Game Help: No Downloads Folder.Have you ever dreamed of running your own car company?Thousands have tried, and many have failed.
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Keys.bin = When you download a PSOne Classic form the PSN store, it comes with keys.bin and it’s required for the game to run. Popsloader = A plugin use to load different versions of pops. Each firmware has it’s own, though some share the same binary. Pops = The in-built PSX emulator for the PSP, developed by Sony. However, if true Zelda-style play is what you're after, the already-released Alundra will be more up your alley.Here is a pops compatibility list please add to it by leaving a comment if you can help with the list. If you're looking for a top-quality action-adventure game, it's an absolute must-have this holiday season. That aside, I still consider Musashi one of the year's best PlayStation games. I actually found myself skipping it entirely after a few minutes. Some of the voices were passable, but Musashi's began to great on my nerves rather quickly. What I really didn't care for was the surprising amount of slowdown and the simply annoying (in my humble opinion) voice acting. In fact, I found myself enjoying the action scenes so much at points that I almost wished the game was without its more "RPG-esque" town and exploration elements entirely. It's obvious that Square was going for a Zelda-style (the old 8-bit game, folks) with Musashi, but it ended up very action heavy. As good as I found the gameplay and visuals though, I've got to give special mention to its stellar soundtrack. Musashi drew me in via its solid control, clever puzzles, excellent visual design, and loads of personality. Dipping its hand into the action-adventure category for the first time on PlayStation, it's produced a game that may convey the epic scale of Xenogears, but is one heck of a blast while it lasts. Square has managed to impress me yet again. In traditional action game style, the game puts Musashi up against a variety of boss characters, starting with a giant steam-powered robot and only getting more fiendish from there. Ranging from potted plants to gun-toting warriors, they all have one thing in common: they answer to a boss. Daytime turns to night and certain objectives can only be met (meeting up with store keepers, for example) during the right hours. Some of the game's aforementioned puzzles involve paying keen attention to an ingenious 24 hour clock. You see, our hero can launch one of his two swords into enemies and use it two draw out a special power, be it a magical shield, rapid fire bullets, and many more. Don't let the simple description fool you though there's a lot more than simple swordplay involved.Īlong the way, Musahi not only has to talk to townspeople and solve various puzzles of the not too difficult, yet still noggin-scratch material variety, but utilize a number of "assimilated" abilities as well. Not only does the little guy have to get his hands of five legendary scrolls before the bad guys do, but he's also got to (surprise-surprise) rescue a princess. Musashi's lengthy quest involves running, jumping, and slashing his way through six chapters, from one side of the land to the other. Japan's greatest warrior may have been a gruff grown up, but in this game he's a wise-cracking kid. Its ultimate weapon: a pint-sized facsimile of the legendary samurai Musashi. A combination of action and adventure elements that will no doubt conjure comparisons (like this one) to classics such as Zelda, it's the story of Allucaneet kingdom's fight against an evil intruder. It's latest is Brave Fencer Musashi, a game that's no doubt familiar to followers of the developer's work. Example: a boss performs an attack I must jump to avoid, but before I can hit the ground he is attacking again with a blow that completely drains my stamina on impact and opening me for further blows, which end my game. Often times I found myself being killed due to circumstances I felt were unavoidable. While the design and layout of each boss helps keep the game fresh, and in some ways it is one of the game’s strongest aspects, it also has its biggest flaw. It was always a dread feeling if I stumbled upon a new boss while carry a monster haul of salt, as their was no doubt I would soon be parted from it. These are well spaced, and each one certainly has its own tricks and rhythms to learn. The final hallmark of this genre is, of course, the bosses. Stamina is one of the stats that can be leveled and would highly recommend it. This leaves the player having to formulate strategies with the reserves of their stamina limits. In the case of blocking, the consumption is dependent on how hard the hit was. Everything from attacking, blocking, and doing rolls consumes stamina. There are plenty of enemies between bosses that can certainly end you in a hurry, and their variety is very impressive as each new area provides its own unique challenges.Ĭombat is also made more challenging due to the restrictive stamina bar. While it kept me on my toes, I was thankful to see not every run of the mill zombie or skeleton was one swing away from ruining a run. Learning the move patterns of enemies is essential to surviving. This skill tree is massive when you first see it, but when I realized there were no new combat tricks or exploration options among the plethora of options, I was pretty let down.Ĭombat is unforgiving, demanding you pay attention whenever enemies are around. They are, bonuses to a stat, the ability to wield a new weapon, or the ability to carry an additional healing potion. This was the only aspect of leveling that was a little disappointing to me. That being said, Other consumables are also required to level weapons, this keeps the player from farming salt outside a sanctuary and just leveling their gear.Įach time you level, you gain an orb which can be used on a skill tree to improve your character. When leveling your character an ever-increasing amount of salt is needed. If you die again, all salt that was lost in the first death is gone forever. You must also slay whatever creature killed you, forcing you to play at least a bit better. In this case though, simply getting back to the spot you died at isn’t enough to retrieve your lost salt. You can bring salt back to a sanctuary to level up your character, or your gear, provided you have access to a blacksmith.Īs is standard practice with this style of game, when you die you lose any salt you had on you. Salt is dropped by enemies throughout the game and sometimes found as pickups throughout the world. Leveling both your character and your equipment consumes an in-game element called salt. The progression is multifaceted and leaves you with plenty of options to pursue, which must be balanced against not having enough resources to do everything you would like to. You will also need to get used to lots of varying shades of grey on your screen – that is by far and away the overriding color you’ll be seeing. There are no jarring transitions from one extreme environment to the next, a hard flow to nail. The areas also flow well from one to the next, always feeling like there is a natural environmental progression. The levels are laid out in an interesting fashion, with lots of secondary areas, and shortcuts that become unlocked at points, making trips back to save points less of a burden. Multiple different weapons change the feel of combat, along with the option of using magic to further vary the gameplay. It has an interesting aesthetic, think gothic horror with a touch of Tim Burton, and a control scheme that is tight and responsive. After 15 hours of play I found a lot to like about the game. Having been available on other platforms, I got to play the newest port to the Xbox One. Salt and Sanctuary is an atmospheric 2D Souls-like game with plenty of challenge from Ska Studios. Stream It Or Skip It: ‘The Super Mario Bros. Stream It Or Skip It: ‘Baby Shark’s Big Movie!’ on Paramount+, a Feature-Length Animated Earworm (That Might Secretly Be A Commentary On Taylor Swift?!?) In Canton, Mississippi, a fearless young lawyer and his assistant defend a black man accused of murdering two white men who raped his ten-year-old daughter, inciting violent retribution and revenge from the Ku Klux Klan. Stream It Or Skip It: 'Diary of a Wimpy Kid Christmas: Cabin Fever' on Disney+, in Which a Snowstorm and an Accidental Snowplow Assault Threaten to Ruin Christmas When a black father kills two white men in retribution for the murder of his daughter, a white attorney sacrifices everything to defend him. It is a difficult film where more than justice hangs in the balance. Stream It or Skip It: 'Dating Santa' on Prime Video, a Miraculous Mexican Rom-Com Starring a Legit Hot Santa A TIME TO KILL is a carefully crafted emotive attempt at surgically removing the cancer of racism. Stream It or Skip It: 'Christmas on Cherry Lane' on Hallmark, Where Family is Born and Made on the Same Street Throughout Five Decades Starring: Matthew McConaughey, Sandra Bullock, Samuel L. 5 Rating 82 7.5 (176k) Genres Drama, Mystery & Thriller, Crime Runtime 2h 29min Age rating R Production country United States Director Joel Schumacher A Time to Kill (1996) Watch Now Rent 3. A Time to Kill 1996 Maturity Rating: 16 2h 29m Drama A small-town lawyer defends a Black father on trial in Mississippi for taking vengeance on the white men who brutally attacked his young daughter. Rudolph, Frosty, and Santa, Oh My! 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